“When you first see a Fuller across any given room, it demands your attention. A stroke of the pen is a word in a story. Each street is a paragraph. A week at the easel tells of a day pounding pavements.

Thousands of kilometres are squeezed into one small, white square. He walks and cycles around the streets and monoliths, takes them home in his camera and head, and renders them in black and white.


'Drawing a picture' means months of purposeful wandering and poking about. Everything navigated and known: subterranean tribes; testaments to unsung heroes; memorable vistas, rubbish heaps and the people who live in them; the dazzling glamour of a cocktail bar for the beautiful, who dance and drink at the peak of urban perfection.


The man in the street is not the man of the street. Fuller is not a character in his works; he is an observer, a voyeur. Justice and injustice; wealth and happiness; uphill, downhill; reality and invention – it’s all the same to him. If it exists or is imagined it is recorded in his intimate cartographic art; each piece celebrating the complexities of the people, place and time: His work is an invitation to explore the heart, soul and underbelly of situation."


Fuller was born in 1980 in Wales and is of Irish and British heritage. His geopictorial works investigate the identity of places. Using extensive research, urban and rural exploration, local knowledge and lived experience, he depicts their topographies and cultures.

The meticulous drawings are saturated with densities of detail, entwined with patterns, iconography, architecture, human stories, systems, technologies, historical facts, curiosities, memories, fictions and humour - an infinite cognitive and narrative map.

By mapping events, Fuller provides a personal story that is instantly relatable. In doing so, the artwork places prominence on collective knowledge and experience, a distinctive characteristic of his work. The depictions are signifiers, with hidden meanings, and often need deciphering to be understood. It is in the moments of contemplation that a dialogue begins while poring over the map, whether the intended story is teased out or new stories added, the art creates conversation.

LONDON TOWN - displayed in the Hiscox Collection

Fuller’s LONDON TOWN, was drawn over a period of ten years and has been acquired by The British Library and Museum of London for their permanent collections.

As the national map collection, we are interested in acquiring a representative cross-section of artworks on paper which incorporate cartography in new, innovative and reflective ways. In particular, we are interested in how the map language is questioned and reinterpreted. Fuller’s London map does this in a number of ways. For example, in how he creates new symbols but treats them as if they were traditional, understood, official ones, as accepted knowledge, reasserting them across the map. At the same time, the plane of the map constantly shifts, so that one is constantly having to adapt to plan, perspective, bird’s eye view, just as maps have bene drawn at various times. Finally, the map is one of the most personal pieces of cartography I’ve ever seen and goes to show how essential maps are in drawing a bond between who we are and the places we inhabit.  
— Tom Harper, Curator of Antiquarian Mapping, The British Library
BRISTOL - private collection

BRISTOL - private collection

Fine art prints of Fuller's original works are in numerous private collections across the world. LONDON TOWN appeared on each UK episode of the BBC series The Apprentice. His work has hung in the Hiscox Collection. Other works by the artist include collage and film. He is currently based in China.

LONDON TOWN - BBC TV series The Apprentice

LONDON TOWN - BBC TV series The Apprentice




Copyright © 2017 Fuller